Mars and I
came back to Wethersfield, Connecticut from Santa Fe with several Virgins of Guadalupe, two
Red Onions, and a Jackalope. The V.O.G.s were expected. She is our favorite icon. The latter two were total surprises.
For the past
several Christmases Mars and I have spent the holidays in New Mexico’s capitol
city visiting Monica and Bram (daughter-in-law and son). (It is one place in the world where we feel at home, and we plan on making it our real home eventually. For now we visit often, and surround ourselves with as much of its ambience as we can fit into our small New England Colonial house.) The last couple of times there we all four were
guests on a local public radio “foodie” program called “Mouth of Wonder” hosted
by M & B’s friend Stacy.
As a project
for our local historical society in 2011, Mars had edited a cookbook ofWethersfield family recipes and the stories that went with them. She gave Stacy a copy of the publication –
and on the air, talked about some of the dishes and told the story of the Red
Onion – the official emblem of our hometown.
Wethersfield is Connecticut’s oldest established town and was once the
leading grower and exporter of the edible bulb in the entire world. The crop was harvested by “onion maidens” –
young women who, town lore says –
"weeded and wept," as they reaped the onions for the reward of
a silk dress.
On this visit
the timing was wrong to do the show.
But on December 25th, as we did in the past – after our sunrise eggnog
latte stroll; then breakfast, gifts and hanging out with Monica and Bram – we
got together with Stacy, her husband Jim, her mother Bernice, and a few others
for dinner and gift exchanging to celebrate what you might call Christmas with
a lower case “c”. (I’m not quite sure
what else to describe it as, even though my Word word-processor on the Mac will
not let me type christmas without a fight.)
Stacy and
Bernice are New York Jewish – “Noo Yawk,
as in "Get outa hea", "Fawget aboutit", "Ahrite
ahready" and "Lawn Guyland" – but they say they stopped being
Jewish when they moved to Santa Fe.
The four of
us – Mars, Monica, Bram and me – are, I guess, a-religious. New Mexico however has a unique culture and
style in which the peasant Catholic religious iconography and tradition
overlaps with and infuses the secular Hispanic. And I find myself being drawn towards sacred
symbols and objects that wouldn’t even be on my radar in another environment. In this land of adobe brown and turquoise
nothing is black and white.
There were
green and red “Happy Birthday Jesus” cocktail napkins at Stacy’s party. So maybe it is more rightly called “Jewish
Christmas”. – The online “urban dictionary” says, “Jewish Christmas costs less
than twenty bucks per head and you're not stuck with crappy gifts.” – although
I think it was referring to the folklore (or fact) that Jews tend to celebrate
the holiday at Chinese restaurants.
We did
exchange gifts – one of which was a pair of embroidered Red onion pillow cases for
Mars and me – suggested by Monica and Bram, designed by Stacy, and executed by
Bernice. Thank you all.
As we entered B. was busily in conversation
with a thirty-something woman who turned out to be one of the artists that he
represented. Bram said quietly, “She’s
one of my favorite painters.” B. stopped
to greet us, introduced Amy Ringholz, and told us that she had literally just
dropped off some new pieces “with the paint still wet”. The works were casually lined up on the
floor, leaning on the wall.
Amy’s subject
matter is mostly the animals of the west painted in large, angular (but
realistic) lines, in dreamlike colors.
One of her “still wet” pieces was a Jackalope – an antlered species of
rabbit that is a cross between a hare and an antelope, unique to the
imaginations of residents of the western United States. Live ones are rarely (some would say never)
sighted but taxidermy models, tall-tales, and paintings abound.
Mars and I
both independently and immediately liked it.
Mars even told Amy that she thought it was cute. I privately agreed – especially since I find
most images of the creature to be freaky scary.
The two of us conferred in another room while pretending to look at the
other artists on display and decided to buy it – and to wait for the colors to
set before it was shipped to us. Amy
signed the back of the canvas, Mars signed the credit card slip, we took some
photos, complimented B. on his sales techniques and resumed our trek down
Canyon Road and back to our casita.
A symbol of where we are and a sign of where we are going, each made expressly for us (one intentionally, one not), and both exactly where they were meant to be (or will be when the paint dries.)
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